A messy, emotional, historic, and occasionally infuriating night. In other words, exactly what music needs right now. The 67th Annual Grammy Awards were broadcast live on CBS from the Crypto.com Arena, Los Angeles, on February 2, 2025. Proceeds from the night supported the MusiCares charity and the Recording Academy’s new “Future of Music” grant fund for independent venues.
The segment ended with a digital projection of (who passed in November 2024) conducting a holographic orchestra of former Grammy winners. Critics were divided on the hologram usage, but the visual of Jones waving to a tearful Oprah Winfrey in the front row was the evening’s emotional epicenter. The Most Talked-About Performance: K-Pop and Latin Fusion Forget the traditional pop medley. The performance that broke the internet was a collaboration between BTS’s Jungkook (fresh from military service) and Karol G . They performed a remix of Jungkook’s “Seven” and Karol G’s “Mi Ex Tenía Razón,” merging reggaeton beats with K-pop choreography. The stage featured a rotating waterfall and a 200-person dance crew. Within ten minutes of the broadcast ending, the clip had 50 million views on TikTok. Political Statements and the Elephant in the Room Unlike the relatively subdued 66th Grammys, the 67th was overtly political. Several artists wore blue ribbons in support of the Music Workers Alliance , protesting streaming royalty rates. During her acceptance speech for Best Pop Duo/Group Performance (for “Guess” with Billie Eilish), Charli XCX delivered an unscripted rant about “the billionaire class of Spotify” that caused the network to cut to a commercial early. The 67th Annual Grammy Awards -2025-2025
“We aren’t giving a Grammy to a robot,” Noah said flatly. “Not because the robot doesn’t deserve it, but because the robot can’t enjoy the afterparty.” Record of the Year: The Indie Sleeper Hit The night’s first major upset came in the Record of the Year category. While oddsmakers favored Olivia Rodrigo’s orchestral rock epic “Vampire” or Miley Cyrus’s “Flowers” (holdover hits from the previous eligibility period), the award went to Lana Del Rey for “A&W” (American Whore) . Proceeds from the night supported the MusiCares charity
The narrative of the night belonged to Nicki Minaj . After years of public feuds with the Recording Academy and multiple snubs, she finally won her first competitive Grammy: Best Rap Album for Pink Friday 3 . But the shock came earlier: Best Rap Song went to Central Cee & Dave for “Sprinter,” marking the first time a UK drill track won a major US rap category. The performance featured a rotating stage built to look like a London Underground carriage. The Most Talked-About Performance: K-Pop and Latin Fusion
Broadcast live on CBS and streamed on Paramount+, the 2025 Grammys (honoring recordings released between September 16, 2023, and August 30, 2024) delivered a stunning narrative: the coronation of new pop royalty, the long-overdue recognition of legacy hip-hop, and a technical masterclass in live television production following the poignant move from its traditional New York home. For the fourth consecutive year, comedian and former The Daily Show host Trevor Noah returned to the podium. However, 2025 marked his final turn as emcee. Noah delivered a career-defining monologue that balanced the geopolitical weight of a fraught election year with the levity of pop culture. He opened with a joke about the "Taylor Swift economy," noting that her mere attendance had allegedly raised Los Angeles’ GDP by 0.5% for the weekend. But he quickly pivoted to the serious: addressing the Recording Academy’s new diversity, equity, and inclusion protocols and the ongoing conversation about AI-generated music.