In weak romances, the characters are perfect victims of circumstance. In strong romances, the characters are the architects of their own misery. Let your protagonist be avoidant. Let them be selfish. The romance is compelling because they have to change to be worthy of love.
The tension isn't the obstacle. The tension is whether you will choose to stay and do the work when the credits don't roll. SexMex.24.06.18.Elizabeth.Marquez.The.Cholo.Cou...
Here is the hard truth: