Honeymoon was produced almost entirely by her longtime collaborator, Rick Nowels, with minimal input from Dan Auerbach (who helmed Ultraviolence ). The result is a record that strips away the distorted guitars in favor of sweeping strings, haunting harps, and 808 beats so slow they feel like heartbeats.

One of the most underrated tracks. Lana compares her toxic love to a religious devotion. "You're my religion / You're how I'm living." The gospel-tinged backing vocals contrast with the industrial beat.

The first single. A mid-tempo hip-hop beat collides with a flute melody. Lana watches men from a distance ("Pose, you can be my man")—a commentary on objectification reversed. It is hypnotic and detached.